Cinematographer

Frames, stories
that live.

On set, on a gimbal, chasing the shot that actually carries the story — not just the one that's in focus. Camera operation, lighting, and movement, for narrative shorts, brand films, drone work, and events.

The camera is where it starts. Everything after — the cut, the grade — is built on what gets captured here.

"I'd rather shoot something simple and grade it properly, than shoot something complicated and leave it flat." — on how Mathew approaches a shoot